CURRICULUM "ULPIANO CARRASCO"
Born in Casas of Santa Cruz ( Cuenca)
He studied Fine
Arts in Salamanca.
1985 Culture, Albacete. East Room, Yecla. Lazarillo 1986 Gallery, Salamanca. Box Aragon, Teruel. 1987 Culture, Albacete. CCM, Cuenca. 1988 Caixa Ontinyent, Gandia. Box Aragon and Rioja. Caja Madrid, Aranjuez. Culture, Denia. 1989 Fedeto, Toledo. 1990 Caja Navarra, Madrid. The Carmelite Centre, Cuenca. Duayer 1991 Gallery, Madrid. Casa Cultura, Valdepeñas. Etxeba Gallery, Bilbao. 1992 City Hall Marbella, Málaga. Caja Navarra, Pamplona. 1993 Gallery Castile, Valladolid. Pillars Gallery, Cuenca. Club Financiero Genova, Madrid. Duayer Gallery, Madrid. 1994 Sargadelos Gallery, Pontevedra. Espi Gallery, Torrelavega, Cantabria. Artesantander Fair III. Sargadelos Gallery, Pontevedra. Sokoa 1995 Gallery, Madrid. IV Artesantander Fair. Museum of Contemporary Art, Toledo. Artesantander 1996 V Fair. Sokoa Gallery, Madrid. 1997 Gallery Comas, Barcelona. Artesantander Fair 1998 VII. Gallery Comas, Barcelona. 1999 Sokoa Gallery, Madrid. Artesevilla. Artexpo, Barcelona. Opera Gallery Paris, New York, Singapore. 2000 Bay-Sala Gallery, Bilbao. 2001 Gallery Comas, Barcelona. Artesevilla. Sokoa Gallery, Madrid. 2002 Bay-Sala Gallery, Bilbao. Artexpo, Barcelona. Sokoa 25 years, Madrid. Artesantander Fair 2003 XII. Gallery Comas, Barcelona. Lineart, Ghent, Belgium. Artexpo, Barcelona. 2004 Artexpo, New York. Espi Gallery, Torrelavega, Cantabria. Opera Gallery Paris, New York, Miami, Singapore and Hong Kong. Lineart, Ghent, Belgium. 2005 Opera Gallery Paris, New York, Miami, Singapore, Hong Kong and London. Het Zwanepand, Antwerp, Winter Hall. Lineart, Ghent, Belgium. 2006 "Hispanic Heritage." Opera Gallery, Miami. Bay-Sala Gallery, Bilbao. Puchol Gallery, Valencia. Lineart, Ghent, Belgium. 2007 "Tempting Memories". Opera Gallery, Hong Kong. Sokoa Gallery, Madrid. Lineart, Ghent, B elgium. 2008 Gallery Comas, Barcelona. Puchol Gallery, Valencia. Maravia Gallery, Cordoba. 2009 Walker Galleries, North Yorkshire UK. Sokoa Gallery, Madrid. Opera Gallery, Singapore. Bay-Sala Gallery, Bilbao. 2010 Gallery Comas, Barcelona. Opera Gallery, Dubai. 2011 Puchol Gallery, Valencia. Rusinol Gallery, San Cugat del Vallés, Barcelona. Penche Angeles Gallery, Madrid.
RUBIO Nomblot, Javier. Weather.
Ed The Point of the Arts.
Work in Museums and Collections
Fundación Caja de Navarra, Pamplona.
Fundación Caja Madrid, Madrid.
CCM Bank Foundation, Cuenca.
Museum of Contemporary Art in Toledo.
Royal Academy of Fine Arts of San Fernando, Madrid.
Antonio Pérez Foundation, Cuenca.
Pinilla Crespo Foundation, Cáceres.
Contemporary Spanish Engraving Museum, Marbella.
Gregorio Prieto Foundation, Valdepeñas (Ciudad Real).
Collection Grupo Estevez, Jerez de la Frontera (Cádiz).
The strength in painting Ulpiano Carrasco
A recent set of paintings by bill dedicated to the world around from the
standpoint Expressionist primary color, set this solo show of painter
manchego Ulpian Carrasco.
Away from topics
like adustez or Castilian austerity, this veteran of the brushes have
long found the material color strength temperament suitable for
attracted to the world around Carrasco Ulpiano overlooking the landscape
to transform it into pure painting, on with the fiery reds, oranges and
yellows of his palette.
Ulpiano Carrasco personality
The paint also tends to be expressed from the memory of the painter, is tidying experiences. In this memory are stored the landscapes, people, objects that are somehow imaginary referents, the raw material from which art is made. Ulpiano Carraso knows how much his work responds to these inductions prior personal experience. If I did, he would have invented other territories, other people, other deposits of reality to organize thematically his painting.
The most striking result of this
attitude starts undoubtedly translate your way shapes and colors native
Apart from the figures or human referents
that can populate this painting is the landscape that becomes more
All these groves, forests, labrantíos,
fallow arguments repeatedly elected as plastics, indeed belong to the
rural orbit with Ulpiano Carrasco has lived since he decided to become a
The landscape of La Mancha, usually linked
to the countryside Cuenca, occupies the prime development area of his
And there, in the sensibilidadante this
landscape where the artist found his reason for being, ie his way of
An aesthetic that ostensibly coincides with
the aesthetics of nature Mancha.